We discuss the Iliad's role as one of the most deeply religious books ever composed, an enduring statement of the living tradition of polytheism and a profound effort to understand the meaning of life.
Though written to himself, this Roman emperor's great work has proven an enduring legacy, a reflection of an ethical life as applicable today as it was almost 2,000 years ago and a monument to self-sufficient wisdom.
Composed in the same period as the Iliad, the Bhagavad Gita is regarded as the supreme creation of Sanskrit literature. Though an epic statement of polytheism, it proclaims truth as an all-encompassing, single, divine power.
The most influential religious book ever composed, the Book of Exodus has shaped three great living religious traditions—Judaism, Christianity, and Islam—in its proclamation of a single, all-powerful God.
Each of the Gospels presents a portrait of Jesus differing in emphasis. Mark, drawn from the firsthand account of Peter, is the most concise and dramatic. Its Jesus is both prophet and philosopher, testifying to his search for wisdom by his trial and death.
We examine the sacred book that holds for Muslims the same place that the words of Jesus do for Christians, the words of the book itself held as the revelation of God to humankind.
The question of fate or destiny is at the core of the earliest literary work to come down to us, the Sumerian Epic of Gilgamesh, composed in the 3rd millennium B.C. in what is now Iraq.
Gilgamesh proclaims a heroic ideal: We are fated to die, but in the meantime, let us strive to be as great as possible. This same message is the theme of the first great work of English literature, the 8th-century Anglo-Saxon epic, Beowulf.
If God is good, why does evil exist? The Book of Job is the most enduring attempt to answer that question, a profound disquisition on the ultimate mystery of God and the frailty of any human attempt to understand the divine.
The three plays of the Oresteia rank with the Oedipus of Sophocles as the greatest of Greek tragedies, a story of murder, revenge, duty, and divine intervention that raises in stark form the dilemma of free will.
For the great Athenian tragedians, it is moral blindness that leads to hybris (also hubris) and ruin. Pentheus in the Bacchae of Euripides exemplifies those who believe themselves wise but are, in fact, fatally ignorant.
Fifth-century Greece sees the development of a more profound concept of the immortality of the soul. For Socrates, the belief in such an immortal soul was the ultimate question, as portrayed by Plato in the Phaedo.
The Divine Comedy is the supreme summary of the thought of medieval Europe, ranking with the Aeneid of Vergil as one of the most influential epic poems ever composed and key to shaping the Italian language as it is spoken today.
The ancient Greeks and Romans did not have a figure comparable to Satan or the devil. To them, evil came in the form of human actions. In Renaissance England, this same idea was portrayed magnificently in Othello.
Aeschylus, like the other great Greek tragedians, believes that we gain wisdom from those who suffered on a titanic stage—in this case, the great rebel Prometheus, who defied the will of Zeus to benefit humanity.
Aleksandr Solzhenitsyn's book stands as a massive indictment of the evil of Joseph Stalin and of the Communist system, portraying with chilling insight the role of ordinary people in carrying out this evil.
Like Othello, Julius Caesar was written at the height of Shakespeare's creative talents. Its theme is honor and duty, the duty of a man to resist evil by violence and murder if necessary.
In his novel 1984, George Orwell raises the pertinent and disturbing question of whether any individual can resist the modern power of the state, brilliantly illuminating the logical consequences of subordinating the individual to anonymous social and economic forces.
We examine Virgil's epic as both a work of literature and as a powerful and influential statement of the necessity of war in a just cause and the moral value of duty.
Two great democratic statesmen used the occasion of a public funeral for the war dead to proclaim democracy an absolute good. Separated by almost 2,500 years, these two funeral orations represent the most profound statements of the necessity of just wars.
Published in 1928, the best novel about war ever written gave voice to the feeling that nothing was worth another war, paving the way for appeasement policies in both Britain and France that in fact made another and even more horrible war inevitable.
Few intellectual figures in history have so influenced a civilization as Confucius, the teacher whose wisdom guided the intellectual, political, and ethical life of China for more than two millennia.
Confucius taught the art of government as it should be; Machiavelli as it really is. Written in 1513, The Prince might be called the handbook of modern politics and foreign policy, just as useful now as it was then for anyone interesting in gaining and keeping power.
Plato's Republic might be called the greatest book on politics, education, and justice ever written. As The Divine Comedy embodies the values of the Middle Ages and the Aeneid those of Rome, the Republic embodies the ideals and values of classical Greece.
Published in 1859, John Stuart Mill's On Liberty is the classic statement of the liberal ideal of democratic government and social justice. For Mill, government exists to serve the individual, and individual liberty is the end of government, not a means to an end.
Thomas Malory's Morte d'Arthur captures the passion, consequences, and contradictions of romantic and spiritual love. One of the first great works of English prose, it summarizes the civilization of medieval chivalry in its ideal form.
Goethe ranks with Shakespeare and Dante as one of the three supreme geniuses of European literature, comparable to Homer and Vergil. In the first part of Faust, Goethe grapples with the implications of attaining knowledge at any cost.
The question of the role of beauty and cultural standards is one that every thoughtful person must decide on his or her own terms. We explore these themes against the backdrop of the moral growth and ultimate redemption of Dr. Faust.
Thoreau, the most American of thinkers, is an unabashed Romantic in exploring the relationship of Man to the natural world. Walden is the journal of his recovery of self-meaning and independence by his return to nature.
Gibbon's The Decline and Fall of the Roman Empire is the greatest history written in the English language. Here, we look at Gibbon and his history as a statement of "a philosophical historian," who searches the past for laws to guide us in the future.
Though Acton never wrote his planned history of liberty, he left behind, in numerous essays and unpublished notes, a legacy of historical thought that remains a message of supreme importance to us today.
On Moral Duties is one of the most influential works on education ever written, directly contradicting the view that might makes right and making clear that an immoral act can never be expedient.
By drawing on the traditions of Indian thought and reading the Bhagavad Gita daily, Gandhi makes his own path, focusing his entire life on a search for truth and teaching us that there are many roads to wisdom and victory.
Churchill might well be called the greatest figure in the 20th century. We look at three books by this Nobel Prize–winning author and find wisdom to guide us in drawing fundamental lessons for our own lives.
We review the lessons of the course and our definition of what makes a great book—a definition as true and vital today as it was in the age of Socrates and Cicero.