From the birth of cinema through the 1960s in the United States, most pornographic films were brief, black and white, anonymously produced films known as "stag films", "blue movies", or "smokers," so called because of the smoke-filled rooms where men would gather for private screenings. Initially shot on 35mm film, the advent of 16mm and 8mm consumer film stock allowed for production of about 1,000 of these films between 1915 and 1968. This film examines the "stag" film not as much for the subject matter or lack of production value, but as a metaphor and reflection of American popular culture.
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