Marcos es un bioquímico que desarrolla su tarea en el laboratorio de la Universidad Estatal de Buenos Aires. Quiere irse de ése trabajo donde no se siente reconocido y aspira irse y progresar en el exterior. El destino le ofrece la posibilidad de lograrlo pero le tiende una trampa. La empresa que lo contrata lo manda a un laboratorio instalado en su pueblo natal. Entonces regresar lo confunde, no logra entender cuánto de progreso y de retroceso hay en el volver.
Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.
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