Avant-garde master Ken Jacobs' dizzying digital reinvention of a 1903 Edison "actuality" stretches and bends the one-minute film to an incredible, almost hallucinogenic ninety-three, combining period stereoscopic slides to create a fascinating play of depth and 2- and 3-dimensionality, narrative and scintillating spectacle.
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| Name | |
|---|---|
| Ken Jacobs |
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