独子去世，二阶堂家长男辰也不仅要承受子逝妻离的伤痛，还得顶着家族香灯后继无人的压力。病重母亲心急如焚，辰也和女儿由子其中一人必须作出牺牲：辰也放弃所爱之人，娶能生子的女人，或是由子嫁肯入赘的夫婿。以《伊朗式再婚》（40 届）崭露头角的导演潘娜娴德，伙拍监制河濑直美，以朴实自然的伊朗风格，拍出日系的含蓄细腻，在淡淡和风中，刻划个人自由与家庭责任的矛盾挣扎；放诸两地传统根深的社会，原来殊途同归。
Tatsuya Nikaido is a middle-aged divorcee who runs an agricultural company and lives in a suburb with his daughter and mother. After his only son's death, he has been pressured by his fate to save his family name and ancestral line as a only male in the family. Tatsuya's daughter Yuko can't help feeling responsible for her family's survival despite her resistance against the traditional mind. The only options left to them to save their family name is either that Tatsuya remarry and have a son, or Yuko marry a man who can take her family's surname as a mukoyoshi (adopted son-in-law) of her father. But they both in love with someone who is not suited for the condition. Tatsuya and Yuko struggle caught in the dilemma between their family obligation and love. Meanwhile, despaired Tatsuya's sickly mother indirectly takes actions for the family survival, which causes increasing tensions around Tatsuya and Yuko.
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