A l'hôpital du Val-de-Grâce, la longue convalescence d'un officier qui, défiguré par un obus aux premiers jours de la guerre de 14-18, doit réapprendre à vivre.
The film concentrates more on the period spent in hospital than the original novel, and emphasizes the horror of the friends' injuries. On Adrien's arrival at the ward, all the mirrors are removed and staff are instructed not to give any to him, but we see from the expressions on the faces of others just how bad the damage is. Adrien becomes increasingly desperate to see the damage done to his face, even asking a visitor to draw a picture of him. Dupeyron ensures that we do not see the horrifying extent of Adrien's injuries until the moment that he himself does - by looking at his reflection in a window pane.
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