Hefner and Guccione have become accustomed to taking swings at each other. But as the ’80s kick into gear, their personal fight is overtaken by outside forces. Hefner’s world is rocked by a grisly murder-suicide, while Guccione branches out from Penthouse, making a film so brazen and shocking it’s labeled “a moral holocaust.” Culture is changing. One part of America wants to push the sexual limits. But a conservative, powerful Reagan administration pledges to keep those sick impulses in check. And Hefner and Guccione are in the crosshairs.