Explore how knitting rose from basic craft to the height of popular fashion in the 20th century. It's a craft that has given us scratchy jumpers, sexy bathing costumes and the infamous poodle loo cover, has sustained Britain through the hardships of war and shown a mother's love to generations of little ones. Today, knitwear has become a staple of every wardrobe thanks to a prince's golfing taste, the Beatles and 1980s breakfast television. Warm-hearted and surprising, this is the story of the people's craft, and a very British one at that.
Paul Martin presents the surprisingly compelling story of wallpaper. From its origins in the 16th century to the present day, wallpaper has always had something to say about us and our tastes and aspirations. It's a journey that takes Paul from the grandest of stately homes to the poorest of two-up-two-downs, the height of luxury to industrial grime and infestation. There are some fascinating tales along the way; wallpaper may seem insignificant, but governments have tried to control it, and it's even threatened to poison us. This latest installment in the Handmade in Britain season also reveals the art and craft of wallpaper. Paul learns how to make flock wallpaper, very much a deluxe item in the 18th century, helps to uncover a rare antique piece of wallpapering from a building site, and prints the designs of Marthe Armitage. Along the way, he meets contemporary designers and makers, and tells the stories of such historical wallpaper luminaries as Pugin and William Morris
The Reformation in England witnessed the destruction of the most brilliant art of the medieval age. Church paintings and stained glass - even sculpture - were destroyed throughout England in the name of religion. And yet one art survived against the odds - the art of medieval embroidery. Portable and easily squirrelled away, English embroidery was spirited out of the country in the 16th century and many brilliant examples survive today - if slightly unappreciated and forgotten in Italian churches and museums, even the Vatican. And yet it is an art form that rivalled the very finest in medieval painting or stained glass and for 200 years was the finest embroidery in the Western world. Known simply as Opus Anglicanum (English work), the work of English embroiders was desired by kings and popes throughout Christendom. Dan Jones, Plantagenet expert and medievalist, goes in search of these fragile yet stunning survivors from the great age of embroidery - encountering a world of finery, bejewelled luxury and sacred beauty on an undreamt-of scale.
