In the 1950s, English poetry becomes more democratic as poets like Philip Larkin turn away from the obscurity of modernism in favour of language and subject matter that reflect the feel of 50s Britain. American poets develop a raw confessional style, while in Britain poets reach out to new audiences - on television, in pubs, on the streets. Featuring the work of Philip Larkin, Anne Sexton, Sylvia Plath, Allen Ginsberg, Roger McGough, Linton Kwesi Johnson and Seamus Heaney.