Allen Daviau (E.T., The Color Purple, Empire Of TheSun) and Sacha Vierny (Hiroshima mon Amour; The Cook, The Thief, His Wife and Her Lover, Prospero’s Books) are given the same script and set. Daviau creates a series of intricate setups, clearly explaining each problem he encounters and the solutions he finds by using filters, lights and F-stop changes. Vierny experiments with a simple and elegant camera move that encompasses much of the action but presents him with a new challenge: hiding the dolly track. Computer graphics of the lighting setups as well as side-by-side comparisons of the finished scenes help you to better understand the techniques and appreciate the results.