While Creamy Mami's career continues to thrive and flourish, Shingo soon finds that there is a price to be paid for taking Megumi for granted when Snake Joe explains Megumi the interest in her LP Productions has taken; after observing the concourse, Yuu sets course for home where Midori explains her the idea behind hikinuki and the damage it causes alongside Toshio who adds that the whole thing is up to Megumi. Firmly resolved to extinguish Snake Joe's subterfuge, Yuu approaches Shingo with her concerns the next day only to find that Snake Joe is a step ahead of her as he forces Shingo's hand and backs him into a corner; if Shingo's complacency about Megumi's loyalty and his obliviousness to Megumi's frustration are not enough, Megumi's brinkmanship gambit to scare capitulation of Shingo ignites an adversarial divergent concourse with resolution and epilogue uncertain. While Snake Joe tries to wield Megumi's ambivalence to his advantage, Yuu finds that the ultimate deus ex machina to resolve things lies in Shingo and Megumi's collaborative prologue involving the »Parasol of Stars«; a scavenger hunt for clues across town and a magical intercession from Creamy Mami later, Megumi and Shingo reconcile their differences.
Joe Serpe approfitta dei dissidi tra Jingle e Due Note per togliere alla Partenon Production la sua star. Il tentativo fallisce per l'affetto che lega il produttore alla cantante.
めぐみに、LPプロから引き抜きの動きがあった。スネークジョーはめぐみをLPプロの片岡社長に会わせるため連れ出す。だがめぐみは車を下り、後をつけてきた優に、星のパラソルで待ってる、と慎悟に伝えてと姿を消した。立花は、2年前めぐみが熱帯園のドームを見て、星のパラソルと言ったのを思い出す…。
