The pressure to deliver was palpable in the planning stages but as the band was assembled, my expectations were exceeded. Tiny Desk alumni and New Orleans natives Trombone Shorty and Alvin Ford were brought into the fold. Another Tiny Desk vet from New Orleans, Jon Batiste, flew in from London just to be a part of the set. Juvenile sourced The Amours from right here in D.C. to handle background vocals, along with string players from the Louisiana Philharmonic for the grand finale. The architect of the Juvenile/Cash Money Records sound, DJ Mannie Fresh, became the glue that pieced it all together. The result was one of the most rambunctious experiences at the Desk. The Hot Boy coasted through highlights from a decades-long, groundbreaking career, concluding with a performance of "Back That Azz Up," so exuberant that the audience demanded an encore and the band obliged. A Tiny Desk first.