Cash’s early career is defined by ability to remain defiant against the status quo to achieve his destiny. After working for hours in the cotton fields, they moved to Memphis in the mid 50s, he found rock ‘n’ roll was in. Much to the chagrin of pioneer producer Sam Phillips, Cash stubbornly stayed true to his country roots. The lyrics for “I Walk The Line” came to the married Cash on the road in Texas as he struggled to remain faithful to his wife, Vivian. The temptations on the road for a musician are like no other. The song would also prove to be one of the first examples of a complicated and contradictory artist. In many ways, this song begins a dark period for Cash when there was really no line he didn’t cross: he left his wife Vivian, became addicted to alcohol and amphetamines, and nearly destroyed his life. Cash was trying to find his voice, and a chance tape-recorder mistake inspired a riff that launched a career.
Having found success on the charts playing the music he wanted to play, Cash risked his entire career as the wild man inside was unleashed from his cage. Although still married, Cash was falling deeply in love with June Carter. And despite his increasingly destructive behavior, June Carter was falling for him. Those feelings of undeniable attraction came to the surface in a song she was working on with songwriter Merle Kilgore. “Ring of Fire” would become a huge hit for him but as Cash spiraled out of control, he connected in the knick of time with the woman who would not only write the biggest song of his career, she would one day prove to be his salvation.
When Johnny Cash had the chance to meet June Carter as an artistic equal, the “fever was there” but complications (both were married) kept a forbidden love from taking the next step. Cash increasing dependency on drugs and outlaw ways made June Carter hesitant to commit to him. Just one month after the release of their duet, “Jackson,” the Man In Black hit rock bottom as he crawled into the Nickajack Caves with no intention of leaving alive. Fate, however, showed Johnny Cash not only showed him way out of the darkness and into the light. It led him into the arms of the woman who would be his wife for 35-years and “Jackson” would become the theme song of their fiery romance.
After early success in the 50s and 60s, Cash?s career began to crash in the late 60s. Cash once again found himself being pushed out by a second coming of rock ‘n’ roll. It was up to The Man In Black to save himself. Cash made the controversial decision to record inside the walls of two of the nation’s most notorious prisons. During his performance at San Quentin, Cash nearly caused an uprising and sent a message for his doubters: the famous picture taken with Cash giving the photographer the middle finger. The cross-over success of a “Boy Named Sue,” a song he performed for the first time in San Quentin — managed to cement Cash’s reputation as radical. The Man In Black was back.
Johnny Cash was ready for primetime with his own network series on ABC, but primetime wasn’t ready for Johnny Cash. With his show filmed every week Johnny Cash shared with viewers the music he wanted to hear: Bob Dylan, Joni Mitchell and Neil Young acts that would alienate his own longtime and old friends that would puzzle his new generation of fans (Bill Monroe, Louis Armstrong, Pete Seeger). He bucked against the Network’s wishes by talking about Vietnam and defiantly singing the lyrics “Lord, I’m wishing that I was stoned” in Kris Kristofferson’s classic “Sunday Morning Coming Down.” ABC canceled the controversial show, but its impact on future musicians would echo for years to come.
Although Johnny Cash had a body of work already deemed worthy of induction into the any music Hall of Fame, by the 1980s his career was teetering on the edge of relevancy. But the longtime rebel wasn’t going down without a fight. An unlikely creative partnership with a hard rock/rap producer proved Cash’s career with his third and final act, but it almost didn’t happen. Cash was hesitant to sign with Rick Rubin’s label, but Rubin’s persistence to keep the music true to Cash's roots paid off. Cash’s series of American Recordings over his final years — most featuring just the artist and his guitar — lead to Cash delivering the most acclaimed work of his career. It also gave Cash a chance to give his musical epitaph with the astounding cover of Trent Reznor’s “Hurt” and the accompanying music video will continue to fascinate and haunt music lovers for the rest of time.
"I Will Always Love You" (1974) Dolly breaks ties with the hottest country TV star and writes a simple tune that expresses her feelings for her now riled ex-partner.
"9 to 5" (1980) From humble beginnings to the silver screen Dolly faces the challenges of being a small town country girl in Hollywood.
"Coat of Many Colors" (1971) Small town girl comes to Nashville to make it in country music & a lucky break puts her on TV and forms a partnership that has Nashville buzzing.
"Jolene" (1974) The little blonde bombshell from nowhere, TN writes from the heart about personal experiences. But, will the male dominated good ol boy network make way for this girl singer who insists on doing things her way.
"Travellin? Thru" (2005) Successful in every aspect, Singer/Songwriter/Movie Star/Theme Park owner/Philanthropist/Author and more. But Dolly's not slowing down, and this endeavor created a new buzz about the superstar's reputation. Ultimately, she becomes viewed as a gay activist.
"It's All Wrong, But it's Alright" (1978) Dolly's music crosses over into pop, but the struggle is to keep her country roots and fans believing she hasn't abandoned them.
Eye-opening series taking an in-depth look at the hits that defined Debbie Harry and Chris Stein's careers, starting with Blondie's 1979 hit One Way or Another.
Heart of Glass made Blondie a household name but it came with a price. The NYC punk community that had embraced the band was now turning on them for going disco.
When Blondie borrowed Donna Summer's producer to record a song for the film American Gigolo, they ended up with the biggest hit of their career - Call Me.
Although Blondie's 1981 hit Rapture demonstrated a pioneering blend of rap and pop, behind the scenes the group was dealing with a band member's life-threatening illness.
