Steven Seagal, the Seven Mary Three of 90s action stars, has spent the past twenty years carving out a nice little niche releasing movies shot in countries that no longer exist, to direct-to-video formats which also no longer exist. One of these movies is A Dangerous Man, an oafish slurry of wet roads, attempted catchphrases, squinting has-beens, and far more gratuitous gun violence than you’d expect from a martial artist who also claims to be a devout Buddhist.